Miriam Haddu

Search results

• 2014

  Reflected Horrors: Violence, War, and the Image in Guillermo del Toro’s El espinazo del diablo/The Devil’s Backbone (2001)

  Haddu, M., Oct 2014, The Transnational Fantasies of Guillermo del Toro. Davies, A., Shaw, D. & Tierney, D. (eds.). New York: Palgrave Macmillan, p. 143-159 17 p.

  Research output: Chapter in Book/Report/Conference proceeding › Chapter
  240 Downloads (Pure)
• 2009

  Whodunit?: In Search of the Real/Reel (and Imagined) Aro Tolbukhin in Aro Tolbukhin: en la mente del asesino

  Haddu, M., 2009, Visual Synergies in Fiction and Documentary Film from Latin America. Haddu, M. & Page, J. (eds.). New York: Palgrave Macmillan, p. 163-175 (Studies of the Americas).

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• Women Behind the Cameras in Mexican Cinema

  Haddu, M. & Rollete, B. (ed.), 2009, Dictionnaire des femmes créatrices. Paris: Editions des femmes

  Research output: Chapter in Book/Report/Conference proceeding › Chapter
• 2007

  The Power of Looking: Politics and the Gaze in Salvador Carrasco's La Otra Conquista / The Other Conquest (1998)

  Haddu, M. & Shaw, D. (ed.), 2007, Latin American Cinema in the International Market. Lanham MD: Rowman & Littlefield

  Research output: Chapter in Book/Report/Conference proceeding › Chapter
• 1997

  Historiography goes to the Movies: the case of Jorge Fons' Rojo amanecer (1989)

  Haddu, M., Rix, R. (ed.) & Rodríguez-Saona, R. (ed.), 1997, Changing Reels: Latin American Cinema Against the Odds. Trinity and All Saints, p. 131-144 14 p. (Iberian Paper Series).

  Research output: Chapter in Book/Report/Conference proceeding › Chapter